Ah, Iceland

Previously: The treasured case system of Icelandic I have resorted to doing a lot of posts uniting linguistics/language and art, starting with: What can linguists learn from French art? and Words vs. Fauvism. Originally, I genuinely was interested in the intersection between the two domains as modes of expression, but now I’m really just milkingContinue reading “Ah, Iceland”

“Learning another language…”

“If you talk to a man in a language he understands, that goes to his head. If you talk to him in his language, that goes to his heart” – politician Nelson Mandela “Learning another language is not only learning different words for the same things, but learning another way to think about things” –Continue reading ““Learning another language…””

History’s most sophisticated art movement & the esoteric linguistic link

History’s most sophisticated art style? No, it wasn’t the High Renaissance! The ones in question with the lens so refined as to offset Michelangelo are in fact the artists who have contributed to the practice named Orphism, named after the legendary ancient Greek poet and musician Orpheus – casting harmonic circular spirals over Michelangelo’s rigidContinue reading “History’s most sophisticated art movement & the esoteric linguistic link”

BCP Q: why do we write?

Hands. They’re very useful, especially to write with. But originally language was only spoken, and not recorded in written format. The written format of human language was something that was actively instituted or invented at some point. As far as we know, the oldest writing system is Mesopotamian cuneiform (e.g.) created ca. 3200BC around whatContinue reading “BCP Q: why do we write?”

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